1. The New York Times Book Review has chosen Emily, Alone as an Editor’s Choice:
EMILY, ALONE, by Stewart O’Nan (Viking, $25.95.) In O’Nan’s novel, a quiet widow buys a car and finds herself open to the world again.
2. The Week has chosen Emily, Alone as their Novel of the Week.
1. A review of Emily, Alone by Three Guys One Book:
JE: It’s no secret that I’m a big fan of Stewart O’Nan. His winning combination of pathos, intelligence, curiosity and heroic range, make the dude a national treasure. Like Steinbeck (and Dickens and Twain), O’Nan writes about “the little people.” He’s a bard for the blue collar, reporting on the quiet and sometimes desperate lives of decent folks who may not be making headlines with their heroism, but in whom we recognize ourselves with a clarity that is all too rare in modern literature.
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2. An in-depth conversation with Edward Champion (Bat Segundo Show):
I had interviewed Stewart O’Nan before in 2007 for The Bat Segundo Show. And after reading Emily, Alone, I had hoped to set up a second interview. Unfortunately, O’Nan’s hectic schedule of teaching and long driving to author events made things a bit difficult. And when I received an unexpected jury duty summons in the mail, I prepared for the distinct possibility that a few weeks of my life would be sacrificed to the courtroom.
We started volleying by email. And the two of us learned that we both had quite a lot to say about American fiction. Our conversation touched upon the influence of Richard Yates, what a writer can learn from John Gardner, avoiding parody and creating dimensional characters, and how one can protest marketplace realities while appealing to the reader. My many thanks to Stewart for taking time out of his busy schedule to answer my somewhat verbose concatenations.
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Stewart O’Nan’s ‘Emily, Alone’ returns to Maxwell clan, Pittsburgh
“Emily, Alone” is Stewart O”Nan’s first novel as a Pittsburgh resident. Sure, the Point Breeze native has previously published 12 books, including short-story collections and novels such as “Snow Angels” and “A Prayer for the Dying.”
But “Emily, Alone” is the first book O’Nan has published since he moved to Regent Square from Connecticut two years ago. So it’s fitting the book features the city, especially the neighborhoods of Highland Park and Regent Square.
“I’ve always wanted to write about Pittsburgh more,” he says. “I’ve written stories, and there was ‘Everyday People’ (his 1998 novel set in East Liberty), but I wanted to do a little bit more with this and take on territory that is totally foreign to me, which is old age and being an older woman. So I thought it would be good to be grounded in something I know, which is Pittsburgh.”
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O’Nan brings it all together in “Emily, Alone”
Stewart O’Nan is a master of introspection. And while “Emily, Alone” is a chapter added to 2002’s “Wish You Were Here,” a reader need not be familiar with the earlier novel to be enriched by this one.
The Emily of the title is the matriarch introduced in the earlier novel who, at that point, was wrapping up affairs after her husband’s death. “Emily, Alone” takes place several years later, as she has settled into widowhood. Her children, absorbed by their challenges, don’t call or visit as often as she’d like. Most of her time is spent by herself. When she gets out, it is usually in the company of her longtime compatriot, Arlene. She has lived past most of her friends.
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Emily copes with disappointment, old age
Next to nothing happens in Stewart O’Nan’s Emily, Alone. The 80-year-old title character goes out for breakfast once a week with her elderly sister-in-law. She works at crossword puzzles; tends to her beloved old dog, Rufus; reads and listens to classical music on the radio. Oh, and she buys a car. That’s about all. But this is an O’Nan novel, and it’s as riveting as a fast-paced thriller, albeit one that delves into the life and psyche of an elderly woman.
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The New York Times Book Review’s review of Emily, Alone is now available on their website.
Stewart O’Nan Tells a Widow’s Tale
Who is Stewart O’Nan? Over the past 17 years, he’s written 11 novels — we’ll turn to the 12th in a moment — as remarkable for their precise, economical language and depth of characterization as for the fact that each is as different from its predecessor, in style, tone and narrative approach, as if it had come from a different author.
What unites these disparate books are their themes — the fragmented and solitary nature of contemporary American life, the degradation of Rust Belt cities and towns, the slippery line between the working and middle class — and a distinct ability to turn toward the dark places from which other writers might avert their gaze. This is, perhaps, a fancy way of saying that O’Nan often veers into the bloody territory traditionally ascribed to genre fiction (thrillers, mysteries, horror, even procedurals), revolving around murders, abductions, mysterious plagues or gruesome accidental deaths, with forays into the supernatural, as in “The Night Country,” narrated by three teenagers killed in a car crash. This is a writer who, like Dickens, you can count on to kill off the little girl — a writer who looks at cars warming in suburban driveways and sees “enough white smoke for a million suicides.”
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Surrounded by Life
Emily, Alone, by Stewart O’Nan, is a book of quiet yet stunning beauty; steady and trim from the outside, like its protagonist, and, just like her, stirring inside with deep longings, intense observations, and a strong attachment to living. Emily is of the age she claims she never wanted to reach, the very last of her neighborhood’s country club gang of mothers, and living far from her children and grandchildren, who call frequently but not enough, and visit even less often. Emily is tethered to life seemingly only through ties to her sister-in-law Arlene, her own aging dog, and her deep love for her adopted hometown of Pittsburgh. But O’Nan will surprise us, uncovering within his character a capacity for finding so much still to live for — so many ties holding her to people and to places — and providing a reminder to us all of life’s capacity to excite and invigorate, at any age.
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The Caregiver’s Bookshelf (New York Times Blog)
How She Carries On
So often, novels and movies with elderly protagonists take pains to depict them in a state of rebellion. They’re breaking out of an assisted living facility. They’re skydiving and climbing the pyramids, pursuing their bucket lists. They’re heading into space for one last, crucial mission.
They’re behaving, in other words, as if they weren’t old. The preferred word for this state, I believe, is “feisty.”
I cherish the newly published novel “Emily, Alone,” by Stewart O’Nan, because the main character doesn’t deny or resist her age.
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The Works of Stewart O'Nan 