Look for Emily Allein, the German translation of Emily, Alone, from Rowohlt on 1/16/2012. Meanwhile, for those German readers out there, check out the catalog of available books.
Monthly Archives: April 2011
Emily, Alone Review: San Francisco Chronicle
Emily Maxwell, the widow at the center of Stewart O’Nan’s engaging new novel, “Emily, Alone,” is probably no more self-absorbed than the rest of us. It’s just that O’Nan takes such painstaking care portraying the Pittsburgh matriarch amid all her material and emotional minutiae, readers may believe that they are in the presence of a world-class neurotic.
It’s true, Emily frets about everything, from the tardiness of her grandchildren’s thank-you notes to the life expectancy of the cosmos she plants at her husband’s grave. She might be the first to tell you that she has too much time on her hands, and yet her primary occupation – taking a final measure of the meaning of her life and the lives of those dearest to her – emerges as a noble enterprise.
Thankfully, a keen intelligence and healthy sense of the absurd reside at the center of Emily’s self-absorption. Although bruised here and there by an angst arising from the loneliness of aging alone, this is a comic novel with numerous laugh-out-loud passages.
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Emily, Alone Review: Los Angeles Times
The author creates an elderly woman who may not have a dramatic life but is three dimensional and interesting to follow around.
Stewart O’Nan’s books are not about poverty, life’s crises, gross injustice or family drama; in fact, there’s very little drama in his works. He has become a spokesperson — in modern fiction — for the regular person, the working person, and now, the elderly. One of the most beautiful, unforgettable scenes in any novel I’ve ever read occurs in “Last Night at the Lobster,” in which O’Nan describes the manager of a mall-style restaurant switching on the lights at the start of a new day, so full of purpose and hopefulness. This is a writer who illuminates moments like that one, moments you never even noticed.
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Choices for Emily
1. The New York Times Book Review has chosen Emily, Alone as an Editor’s Choice:
EMILY, ALONE, by Stewart O’Nan (Viking, $25.95.) In O’Nan’s novel, a quiet widow buys a car and finds herself open to the world again.
2. The Week has chosen Emily, Alone as their Novel of the Week.
Four Guys, One Book
1. A review of Emily, Alone by Three Guys One Book:
JE: It’s no secret that I’m a big fan of Stewart O’Nan. His winning combination of pathos, intelligence, curiosity and heroic range, make the dude a national treasure. Like Steinbeck (and Dickens and Twain), O’Nan writes about “the little people.” He’s a bard for the blue collar, reporting on the quiet and sometimes desperate lives of decent folks who may not be making headlines with their heroism, but in whom we recognize ourselves with a clarity that is all too rare in modern literature.
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2. An in-depth conversation with Edward Champion (Bat Segundo Show):
I had interviewed Stewart O’Nan before in 2007 for The Bat Segundo Show. And after reading Emily, Alone, I had hoped to set up a second interview. Unfortunately, O’Nan’s hectic schedule of teaching and long driving to author events made things a bit difficult. And when I received an unexpected jury duty summons in the mail, I prepared for the distinct possibility that a few weeks of my life would be sacrificed to the courtroom.
We started volleying by email. And the two of us learned that we both had quite a lot to say about American fiction. Our conversation touched upon the influence of Richard Yates, what a writer can learn from John Gardner, avoiding parody and creating dimensional characters, and how one can protest marketplace realities while appealing to the reader. My many thanks to Stewart for taking time out of his busy schedule to answer my somewhat verbose concatenations.
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The Works of Stewart O'Nan 