I love most all of Stewart O'Nan's novels. About to read HENRY, HIMSELF. Read: EMILY, ALONE; THE ODDS, & LAST NIGHT AT THE LOBSTER!!!!
— Terry McMillan (@MsTerryMcMillan) May 16, 2019
Henry, Himself on New York Times Editors’ Choice List!
It’s May, after all, and in this part of the world the trees have started budding and the birds that aren’t extinct have started singing. What better time to read Ali Smith’s novel “Spring,” which balances its political anxieties with emotional complexity and a warmth appropriate to the season? Continuing with fiction, you might pick up Stewart O’Nan’s character study “Henry, Himself,” or settle in with Julie Orringer’s historical novel “The Flight Portfolio,” about Varian Fry’s exploits saving dissidents from the Nazis. Jennifer duBois is back, with a novel about a talk-show host who goes too far, and Laila Lalami sets her latest novel in the towns of the Mojave Desert, where a hit-and-run death ties together the stories of nine very different characters.
HENRY, HIMSELF, by Stewart O’Nan. (Viking, $27.) A novel that uses short vignettes to capture a year in the life of the Pittsburgh man whose shadow loomed over two of O’Nan’s earlier novels. Most of us know people like Henry from the outside; the gift of O’Nan’s fiction is to immerse us deeply in his essence. “This is a novel that charms not through the complexities of its plot but through its subtle revelations of character and the human condition,” Dominic Smith writes in his review.
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Henry on Instagram
Some nice Instgrams for Henry Maxwell.
The New York Times Book Review: Stewart O’Nan Returns to the Fictional Maxwell Family
When we watch Henry Maxwell, an aging Pittsburgher, wind the clocks of his house forward on the spring eve of daylight saving time, we are witnessing a man at the cusp of a new century. It’s 1998 and Henry is 74. A retired Westinghouse engineer, he has been married to the same woman, Emily, for nearly 50 years. After puttering in his basement with a jigsaw, cutting pieces for a spice rack that will be installed at his summer cottage in Chautauqua, he begins to move through the house, ministering to the clocks. “He wound the Black Forest cuckoo clock in the breakfast nook, waking the bird, inserted the key in the face of the grandfather clock and twisted, making the chimes ring as he brought the minute hand full circle. … Henry fixed the clock radios in the children’s rooms and the banjo clock in the den before adding an hour to his father’s watch and setting it on his dresser.” He then turns to his wife, who is reading in bed, and proclaims, “We are officially in the future.”
But the future exists for Henry as if through a fogged pane of glass in Stewart O’Nan’s beautifully spare and poignant new novel, “Henry, Himself.”
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Interview: Thirty Odd Minutes With Stewart O’Nan
From Knock and Know All:
At fifty-eight years young, Stewart O’Nan has seen seventeen of his works of fiction published along with two non-fiction books, one of which is Faithful [with Stephen King] a best-selling bleachers-eye-view of the first championship season for the Boston Red Sox since Babe Ruth was traded. All of this since he, with the full support of his saintly wife, Trudy, abandoned his career as an Aerospace engineer to earn his MFA, ultimately publishing his first collection of short stories In The Walled City [Drew Heinz Literary Prize] in 1993.
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