2015, Two Events in Seattle

Posted on January 30, 2015 by SJW

Q&A: Stewart O’Nan on Fictionalizing F. Scott Fitzgerald

For all that has been written, said, extrapolated from, and culturally metabolized about F. Scott Fitzgerald, the last few years of his life are often dismissed as a steady downward slide from writing The Crack Up, published February 1936 in Esquire, to his premature death of a heart attack in December 1940 at just 44 years old.

But it was during that time that Fitzgerald moved to Hollywood, reinvented himself, repaid his debts and fell in love for the final time. Of course, he also failed to finish a new novel, felt the impact of his worsening health, and struggled to maintain a relationship with his beloved but committed wife, Zelda. It’s not the expat parties in Paris of the 1920s so often associated with the author. But it was an interesting time in the life of one of the most celebrated literary figures of the 20th century. In his newest novel, West of Sunset, Stewart O’Nan presents a fictionalized account of these final years, bringing to life scenes of Fitzgerald in Hollywood. We talked to O’Nan about fictionalizing such a famous figure and what he learned about Fitzgerald in the process.

[more]

Stewart is in Seattle today for two events!

Seattle, WA

The Pub @ Third Place Books, 1/30/2015
http://www.thirdplacebooks.com/rav-auth-event

Elliott Bay Books, 1/30/2015
http://www.elliottbaybook.com/event/stewart-onan

More Reviews of West of Sunset and an Interview

Posted on January 27, 2015 by SJW

There are really three stories here woven into one compelling narrative: Fitzgerald’s attempt at professional reinvention, his romantic quest to re-create with Graham the once-electric love he shared with Zelda in the 1920s and his guilt-driven obligation to support his scattered family by paying for Zelda’s hospitalization and his daughter’s education at prep school and later Vassar.

Any one of these stories by itself would be interesting. Skillfully woven together, they comprise the best Golden Age Hollywood novel to come down Sunset Boulevard in years.

[more]

“West of Sunset” is deeply researched, but the book wears it lightly — true events and real-life people are seamlessly woven into O’Nan’s imagined world. And the author’s prose, as always, is simple but eloquent — somehow, magically, he makes it look easy. Figures like Bogart and Fitzgerald’s friend/foe Ernest Hemingway are fully realized, not just characters used for perfunctory name-dropping.

Best of all, though, is O’Nan’s main character. “West of Sunset” is a big-hearted and fascinating look at this complex man — a troubled genius who was half inside a celebrity’s glamorous life and, poignantly, half outside it.

[more]

Q: Why F. Scott Fitzgerald?

A: It’s F. Scott Fitzgerald at that time in his life. I wondered how he could come back from what he had gone through. I’ve always been a big fan of his essay, “The Crack-Up.” When everything that you care about has been lost, where do you go from there? For him, it was Hollywood.

Q: What were your main concerns when you started working on the book?

A: Well, first off, I’m not from Los Angeles. I’m not a West Coast guy. I’ve visited, of course, but I don’t know that much about that place or that time. The challenge was how to get back into the spirit of the place when he was there. It helped that Scott was a fish out of water when he went, too, so I could see it through his eyes that way.

[more]

Review of West of Sunset from USA Today; Interview in Boston Globe; 1/26/2015 7pm, Books Inc. @ Alameda, CA

Posted on January 26, 2015 by SJW

By Kevin Nance , Special for USA TODAY

Is anything more poignant than genius in decline? It’s hard to imagine after reading West of Sunset, Stewart O’Nan’s almost unbearably bittersweet portrait of the once-great novelist F. Scott Fitzgerald’s sad yet darkly glittering final years in Hollywood.

[more]

Stewart O’Nan read everything F. Scott Fitzgerald wrote, including his love letters to his wife, Zelda, for his new novel based on the writer’s last few years. “We think of Fitzgerald as a tragic writer, but he’s very ironic and wry,” he says. O’Nan was in town last week to read from his new novel, “West of Sunset.”

BOOKS: What are you reading currently?

O’NAN: I’m reading “The Most of It” by the poet Mary Ruefle. This book is sort of prose poetry. She writes like Lydia Davis: skewed, small short stories. I’m a big Davis fan. I love Russell Edson, too, a prose poet guy in the ’70s, who’s kind of absurdist. I always go back to the surrealists, too. I like anyone who’s making something goofy and whacky.

[more]

Stewart will be at Books Inc. tonight in Alameda, CA!

Books Inc.

1344 Park St

Alameda, CA

Stewart O’Nan: Pittsburgh’s Novelist of the Everyday

Posted on January 16, 2014 by SJW

From an interview in Belt Magazine:

When time enough has passed for critics to start assessing how the Great Recession played out in American literature, it’s likely they’ll take a close look at Stewart O’Nan’s recent novels, especially 2007’s Last Night at the Lobster and 2011’s Emily, Alone. That’s partly because, dispiritingly enough, the shelf of novels that address the lower rungs of the middle class is a small one. But even in a crowded field, O’Nan’s books would stand out. In Lobster, O’Nan delivers both a close study of Manny, the manager of a soon-to-close Connecticut Red Lobster franchise, and of the workers and patrons who share their lives inside it during one day, captive to a brutal snowstorm. It’s early, but the novella is one of the most potent and sharpest portraits of work in the new century—few books in any era have done such a fine job of exploring how corporations stoke our loyalty, and how easily they betray it.

[more]

Interview in The Believer Logger

Posted on November 27, 2013 by SJW

From The Believer Logger:

masthead

Brandon Hobson: In the past you’ve talked about point-of-view being the writer’s greatest tool. Can you talk a little more about that, and maybe how it’s better than, say, voice?

Stewart O’Nan: Getting inside your character’s head and letting the reader see the world through not just their eyes but their sensibility creates an intimacy that can’t be duplicated in any other medium. And point of view includes voice, discovering the appropriate language and tone for each character. Every choice contributes to bringing the character’s emotional world across to the reader, and as you’re making those choices in your early drafts, you as a writer understand more and more about your characters—their fears and desires, their history, the people closest to them—so that when they face situations, both you and the reader understand why they do the things they do, whether or not you (and the reader) agree with them.

[more]