In “Ocean State,” O’Nan is subverting the thriller, borrowing its momentum to propel this bracing, chilling novel. Whereas thrillers tend to use murders as a prurient jumping-off point, the entryway to the reader’s pleasure — that chance to play Columbo or Kinsey Millhone in our heads — O’Nan takes his time, humanizing this story to make the hole where the victim was suitably substantial.
Mary Pols, The New York Times, “A Thriller Wrapped in a Story of Sisters and First Love”
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“Ocean State” is the story of a murder, but it wouldn’t be right to call it a mystery, because the killer’s identity is established in the very first sentence. Even as he inverts the form, veteran novelist Stewart O’Nan effectively keeps you turning the pages quickly with this tragic story of teenage love.
“Told through multiple voices, “Ocean State” examines the murder of a young girl” – StarTribune
Despite the banal surface, this novel invites us in — we want to know these people, learn about their complexities. In the end, they’re as interesting as you or I; O’Nan’s great gift is that we want to know more about every person he writes, no matter how unremarkable they seem from the outside.
“A murder in the suburbs – Ennui meets passion in O’Nan’s latest novel” – Boston Globe
In the first pages of this reversed psychological thriller, we learn that teenage Angel has killed a girl; soon there’s little question as to whom and why. (“Love.”) In flashbacks, the suspense comes from peeling back the layers in Stewart O’Nan’s immersive character studies.
“8 New Books To Read This Month” – Vanity Fair
The Works of Stewart O'Nan 